Patricia Villalobos

FROM: iapa.cafa.edu.cn TIME:
education
1990 M.F.A. Painting & Printmaking, West Virginia University, Morgantown, WV
1988 B.F.A. Printmaking, Louisiana State University, Baton Rouge, LA
professional experience
2011– Professor of Art, Gwen Frostic School of Art, Western Michigan University, Kalamazoo, MI
2016 Instructor, Etching, Ox-Bow School of Art, Saugatuck,MI (Summer)
2010–11 Director and Professor, Gwen Frostic School of Art, Western Michigan University, Kalamazoo, MI
2007–10 Assistant Chair, Art Department, Indiana University of Pennsylvania, Indiana, PA
2004–10 Professor, Art Department, Indiana University of Pennsylvania, Indiana, PA
2000–04 Associate Professor, Art Department, Indiana University of Pennsylvania, Indiana, PA
2001 Visiting Assistant Professor, Department of Art, Cornell University, Ithaca, NY (Spring)
1995-2000 Assistant Professor, Art Department, Indiana University of Pennsylvania, Indiana, PA
1998-2001 Graduate Coordinator, Art Department, Indiana University of Pennsylvania, Indiana, PA
1992-95 Assistant Professor, Art Department, Southern Oregon University, Ashland, OR
1993 Art Instructor, Pre-College Art Program, Carnegie Mellon University, Pittsburgh, PA (Summer)
1990-92 Gallery Coordinator, Hewlett Gallery, Carnegie Mellon University, Pittsburgh, PA
selected solo exhibitions / projects
2018 Retrace, Galeria za szklem, Eugeniusz Geppert Academy of Art and Design, Wroclaw, Poland;
& Netzorg & Kerr Gallery, Western Michigan University, Kalamazoo, MI
2017 Transporta Managua, Participatory art project, Managua, Nicaragua
DESDOBLES, Mácula, Managua, Nicaragua
2016 tukituktuk, Participatory art project, Feijiacun, Beijing, China
SURROGATE, Makeshift, Kalamazoo, MI
2014 Trans_Porta Sivar, ADAPTE, Participatory art project, San Salvador, El Salvador
2013 Memeplex@ N14°06’17" W87°11’59", Centro de Artes Visuales Contemporáneo, Tegucigalpa, Honduras
Swarm, The Americas Collection, Miami, FL
2011 Nodes [N 42°57’47” W 85°40’07], Urban Institute of Contemporary Arts, Grand Rapids, MI
Mesoparasitio <13°41’33"N 89°14’30"W>, MARTE, Museo de Arte de El Salvador, San Salvador, El Salvador
2010 Outbreak, Pittsburgh Center for the Arts, Pittsburgh, PA
2008 Aguasmalas, MediaNoche, New York, NY
2006 Aflujo•Afflux, Artist Image Resource, Pittsburgh, PA & Laura Mesaros Gallery, West Virginia University,
Morgantown, WV (catalogue)
Alamar (Asea), PROYECTO´ACE, Buenos Aires, Argentina
patricia villalobos echeverría
222 N Kalamazoo Mall Apt. 200
Kalamazoo, MI 49007
412-216-1632
pve2@mac.com
www.patriciavillalobos.com
villalobos echeverría cv p. 2
2005 Hoverings, Artist Image Resource, Pittsburgh, PA
2003 [trackings], Pennsylvania State University at Altoona, Altoona, PA
2000 Cortocircuito~Short-Circuit, Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA
1999 Snow~Nieve, Foreland Studio Gallery, Pittsburgh, PA
1998 Contested Territories: from the Terremoto~Earthquake Series, Harlan Gallery, Seton Hill College,
Greensburg, PA
Terremoto~Earthquake, Sanford Gallery, Clarion University of PA, Clarion, PA
1997 Grietas~Fissures, Lascaux Gallery, Pittsburgh, PA
1994 Simbiozo, Urban Institute of Contemporary Arts, Grand Rapids, MI
1993 Triada • Triouloajo • Triad, National Public Radio, collaborative project with Lloyd Pratt, WDUQ-FM
Yo y Coatlicue, Performance, Carnegie Mellon University, Pittsburgh, PA
1992 Capas de Agresión, ACAC Galleries, University of Tulsa, Tulsa, OK
1991 State of Media, Video Installation collaboration with Andrés Tapia Urzua, The Turmoil Room, Pittsburgh, PA
1990 Velos de Agresión, Organization of American States, Washington, D.C.
Las Militantes de Coerción, The Artery, Pittsburgh, PA
selected group exhibitions
2017 Cambiarte. Galería Códice, Managua, Nicaragua (catalog)
2016 International Printmaking Alliance Exhibition, Beijing Taimiao Art Gallery, Beijing, China (catalogue)
Ayotzinapa 43, Instituto de Historia de Nicaragua y Centroamérica, UCA, Managua, Nicaragua
After the Pedestal, The Sculpture Center, Cleveland, Ohio
The Island of Enchantment: La Isla del Encanto, Puerto Rico, Pacific Northwest College of Art, Portland, OR
2015 Bienal del Sur: Pueblos en Resistencia, Museo de Bellas Artes, Caracas, Venezuela (catalogue)
Grafika Post-Cyfrowa, Galeria NEON, The Eugeniusz Geoppert Academy of Art and Design, Wroclaw, Poland
Adaptación, Point, San Salvador, El Salvador
Crossover: Bellingham, Western Washington University, Bellingham, WA
GRAM Selects ArtPrize 2014: Encore! Grand Rapids Art Museum, Grand Rapids, MI
2014 Trace+Gestures, Renaissance Hall Gallery, North Dakota State University, Fargo, ND
Critical Mass, GaleRica in Makarska, Croatia and Fundación CIEC in Betanzos, Galicia, Spain.
2013 In Art We Trust, Galería Sol del Río, Guatemala City, Guatemala
PrintEd: HERE, Contemporary Prints from the US, Turkey and Ireland, LSAD Gallery, Limerick School of Art
and Design, Limerick, Ireland
Trace + Gestures, Print MKE, Southern Graphics Council International Conference, Graymatter Gallery,
Milwaukee, WI; University of Colorado at Boulder; Fine Arts Center Gallery, Northeastern Illinois University,
Chicago, IL; Proyecto’ACE, Buenos Aires, Argentina.
Critical Mass, Print MKE, Southern Graphics Council International Conference, Milwaukee, WI
Crossings, Two-person show with Nayda Collazo-Llorens, Point of Contact Gallery, Syracuse, NY (catalogue)
2012 Valoarte, Avenida Escazú, San José, Costa Rica
11na Bienal de la Habana, Centro de Arte Contemporáneo Wilfredo Lam, Havana, Cuba (catalogue)
2011 Images, Politics, and Social Networks, Darb 1718, Old Cairo, Egypt
WYSIWYG, PGCC Marlboro Gallery, Largo, MD
villalobos echeverría cv p. 3
2010 VII Bienal de Artes Visuales del Istmo Centroamericano, Teatro Nacional Rubén Darío, Managua, Nicaragua
I Trienal Internacional del Caribe, Museo de Arte Moderno, Santo Domingo, Dominican Republic
2009 VII Bienal de Artes Visuales Nicaragüenses, Palacio Nacional de la Cultura, Managua, Nicaragua
Splitgraphic IV: International Graphic Art Biennial, Split, Croatia
Transfer Lounge, Forja ArteContemporáneo, Valencia, Spain & SPACE Gallery, Pittsburgh, PA
Gestures 13: An Exhibition of Small Site-Specific Works, Mattress Factory, Pittsburgh, PA
Estrago Ecológico, Universidad Centro Americana, Managua, Nicaragua (catalogue)
Yes, Thank You, The Brew House Space 101, Pittsburgh, PA
2008 Eclectic Photography, The Americas Collection, Coral Gables & Wynwood, FL
Imprint 2008: Kulisiewicz International Graphic Arts Triennial, Warsaw, Poland
Episodios e Itinerarios 2, Centro Cultural de la Pontificia Universidad Católica del Ecuador, Quito, Ecuador
Media Tonic 3, Pittsburgh Filmmakers, Pittsburgh, PA
Third International Biennale for the Artist’s Book 2008, Bibliotheca Alexandrina, Alexandria, Egypt
Moving Targets Objetivos Móviles, public art print project in Buenos Aires, Argentina
EntreMuros / BetweenWalls, University of Miami, C.A.S. Gallery & Wynwood Project Space, Coral Gables, FL
2007 Point of View, Gallery MC, New York, NY
Power: The Definition of Feminine Power, Future Tenant, Pittsburgh, PA
International Multiple Art Exhibition, Gyeongnam International Art Festival, Masan, South Korea
Falun Triennial, Dalarnas Museum, Falun, Sweden
IX Bienal de Cuenca, Cuenca, Ecuador
Further, Galleria Harmonia, Jyväskylä, Finland; Grafikos Galerija, Kaunas, Lithuania; The Frans Masereel Centre,
Kasterlee, Belgium; Graficki Kolektiv Gallery, Belgrade, Serbia; Galerie Hörnan, Falun, Sweden; and Gustav Klimt
Villa, Vienna, Austria
Espacio/Central/Space, Off Axis Santa Barbara City Festival – Installations Multi-sites, Santa Barbara, CA
Stowarzyszenie Miedzynarodowego Triennale Grafiki w Krakowie International Print Triennial Krakow,
Contemporary Art Gallery "Bunkier Sztuki," Krakow, Poland; Horst Janssen-Museum, Oldenburg, Germany, and
Künstlerhaus, Wien, Austria (catalogue)
AIR10, Artist Image Resource, Pittsburgh, PA
2005 V Bienal de Artes Visuales, Teatro Rubén Dario, Managua, Nicaragua (catalogue)
Photography Plus, Bowman and Megahan Galleries, Allegheny College, Meadville, PA
Accessibility 2005, Site-Specifc Installation Festival, Sumter, SC
Cultural Transport / Moving Targets, IMPACT 4, International Printmaking Conference, Berlin, Germany &
Pozna, Poland
XIII Bienal Internacional de Arte de Vila Nova de Cerveira, Cerveira, Portugal, (catalogue)
Three Rivers Arts Festival, Three Rivers Arts Festival Gallery, Pittsburgh, PA
2004 Añil Presenta, Teatro Rubén Dario, Managua, Nicaragua, (catalogue)
War Room, Foreland Street Gallery, Pittsburgh, PA
Articulaciones, video intervention on the façade of the Centro Cultural Managua, Managua, Nicaragua
PLAC (Print Language As Content), Mason Gross School of the Arts, Southern Graphics Council Conference
Exhibition, Rutgers, New Brunswick, NJ
Against Tradition: Trends in Contemporary Printmaking, University Art Gallery, Indiana State University, Terre
Haute, IN
villalobos echeverría cv p. 4
2003 The Masters of Graphic Arts, 7th International Biennial of Drawing and Graphics, Municipal Museum of Arts,
Gyor, Hungary (catalogue)
V Salón de Arte Digital, Centro Cultural Pablo de la Torriente Brau, Havana, Cuba
De Lo Que Soy... Of What I Am..., Lehman College Art Gallery, Bronx, NY
12th International Print Biennial, Varna Graphic Art Gallery, Varna, Bulgaria (catalogue)
2002 POSTFLESH, California State University at Sacramento Library Gallery, Sacramento, CA
Crisis Response, Rhode Island School of Design Museum, Providence, RI
III Bienal Iberoamericana de Lima, Centro Artes Visuales, Lima Perú (catalogue)
MAPC – Mixed Metaphors, University of Wyoming Art Museum, Laramie, WY
III Bienal de Artes Visuales del Istmo Centroamericano, Palacio de la Cultura, Managua, Nicaragua
(catalogue)
Archive Show, Foreland Street Gallery, Pittsburgh, PA
Noorderlicht 2002 Photofestival, Fries Museum, Leeuwarden, The Netherlands (catalogue)
ArtISTMO, Museo de Arte y Diseño Contemporáneo, MADC, San José, Costa Rica
2001 Espacios/Cuerpos/Identidades, Centro Cultural de España, San José, Costa Rica
Centro Sur/Norte, Jacob Karpio Gallery, San José, Costa Rica
Photographs by Artists, Made for a Variety of Purposes, Foreland Street Gallery, Pittsburgh, PA
V Bienal de Arte Centroamericano y del Caribe, Modern Art Museum, Santo Domingo, Dominican Republic
Arte Centroamericano, International Festival of Theatre, Cádiz, Spain
Arte Centroamericano del BCIE, Managua, Nicaragua, Tegucigalpa, Honduras
Inter-Kontakt-Grafik Prague 2001, Third International Print Triennial, Prague, Czech Republic (catalogue)
Recent Works, three person exhibition, Chatham College Art Gallery, Pittsburgh, PA
III Bienal de Artes Visuales Nicaragüenses, Teatro Nacional Rubén Darío, Managua, Nicaragua, (catalogue)
Antología de Mujer, Galería Añil, Managua, Nicaragua
Secreciones, Jacob Karpio Gallery, San José, Costa Rica
2000 In Our Own Backyard, PA Council on the Arts recipients exhibition, Lancaster Museum of Art, Lancaster, PA
15XXX, Emily Davis Gallery, The University of Akron, Akron, OH
III Artists, Ganser Gallery, Millersville University, Millersville, PA
Sin Fronteras – Grupo CAUSA, Códice Gallery, simultaneous exhibition at five galleries in Guatemala, El
Salvador, Honduras, Nicaragua & Costa Rica
Systems, Brew House Space 101, Pittsburgh, PA
1999 II Bienal de Pintura del Istmo Centroamericano, Galeria Nacional del Centro Costarricense de Ciencia y
Cultura, San José, Costa Rica (catalogue)
Cuaderno de la Plástica Nicaraguense no. 3, Códice Espacio Cultural, Managua, Nicaragua
Mujer y Memoria, Museo de la Mujer, Tegucigalpa, Honduras
Printmakers of Pennsylvania, Millersville University of Art Gallery also at McKinney Gallery, Westchester
University of PA, Millersville, PA
1997 Projects 1997, Foreland Gallery, Pittsburgh, PA
New Dialogues, Women Printmakers Invitational, Jewett Arts Center, Wellesley, MA
Latina Artists: Multiple Visions, Agnes Scott College, Atlanta, GA
villalobos echeverría cv p. 5
Mesótica II: Regeneraciones, Museum of Contemporary Art and Design, San José, Costa Rica; Casa de
América, Madrid, Spain; Instituto Italolationamericano, Rome, Italy; Maison de l’Amérique Latine, Paris, France;
and Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain
1996 Printmakers of ’96, University Art Galleries, Frick Fine Arts Museum, Pittsburgh, PA
Diverse and Unified, Brew House Space 101, Pittsburgh, PA
Three Rivers Arts Festival, Pittsburgh, PA
Monoprint • Monotype, The University Museum, Indiana, PA
Emote Sensing, Art Attic, Morgantown, WV
1995 13th National Exhibition, Los Angeles Printmaking Society, LaBand Art Gallery, Loyola Marymount University,
Los Angeles, CA
Northwest International Women’s Conference, Friesen Gallery & Seattle Convention Center, Seattle, WA
1994 Images of the Virgin, Galería Tonantzín, San Juan Bautista, CA
1993 Metonymy • Metonimia, Violence & Visual Pleasure Show – The Birmingham Lofts, Pittsburgh, PA
permanent public art
2014 MACRO2NANO, (in collaboration with Nayda Collazo-Llorens) Heiser Natural Sciences Building, New College of
Florida, Sarasota, FL
selected video screenings
2014 ADAPTE, Public Interventions, San Salvador, El Salvador
Transborder, Anthology Film Archives, New York, NY
2013 Festival International Videoakt 2013, Barcelona, Madrid
2010 Memories at the Crossroads, 24th NC Latin American Film Festival, University of North Carolina, Chapel Hill, NC
2009 II Festival Internacional de Videoarte II International Festival of Videoart, Camagüey, Cuba
Optica Festival, Gijón, Spain
2003 Video Show – Bayshore NY, Bayshore, NY, USA
awards & honors
2018 National Association of Latino Arts and Culture for Retrace: Michigan
2017 Kalamazoo Artist Development Initiative (KADI), Arts Council of Greater Kalamazoo for exhibition Retrace
2016 Faculty Research and Creative Activities Award (FRACAA), Western Michigan University for project Transport,
Displacement, and Memory
Sabbatical, Frostic School of Art, Western Michigan University, AY 2016-2017
2015 Scholarship, National Association of Latino Arts and Cultures to attend the NALAC Detroit Regional Arts Training
Workshop
Support for Faculty Scholars Award, Western Michigan University for project Marea Series
2013 International Education Faculty Development Fund, Western Michigan University to present at the IMPACT8
Printmaking Conference in Dundee, Scotland
2012 Faculty Research and Creative Activities Award (FRACAA), Western Michigan University for project
Cystema... in Havana, Cuba
villalobos echeverría cv p. 6
2011 International Education Faculty Development Fund, Western Michigan University for project Mesoparasitio in
El Salvador
2008 Distinguished Faculty Award for Creative Arts, Indiana University of Pennsylvania
2007 University Senate Research Grant, Indiana University of Pennsylvania for the presentation of Cuerpos Sin
Bordes at the Cuenca Biennial in Ecuador
2006 Artist Opportunity Grant, Greater Pittsburgh Arts Council for EntreMuros / BetweenWalls in Mexico
2005 Creative Heights Residency Grant, Heinz Endowment grant for Aflujo/Afflux residency and exhibition at Artist
Image Resource, Pittsburgh, PA
University Senate Research Grant, Indiana University of Pennsylvania project Sobremar in Nicaragua
2004 PA Partners for the Arts, PA Council for the Arts project Hoverings
S.O.S. Grant, Pennsylvania Council for the Arts project Hoverings
University Senate Research Grant, Indiana University of Pennsylvania for project Hoverings
Sabbatical, Indiana University of Pennsylvania, Fall 2004
2002 University Senate Research Grant, Indiana University of Pennsylvania for project at the III Central American
Biennial, Managua, Nicaragua
Individual Artist Fellowship, Pennsylvania Council for the Arts, Category: Painting
University Senate Research Grant, Indiana University of Pennsylvania for project at the Iberoamerican Biennial
of Perú, Lima, Perú
S.O.S. Grant, Pennsylvania Council for the Arts for project at the Iberoamerican Biennial of Perú, Lima, Perú
2001 University Senate Research Grant, Indiana University of Pennsylvania for project at the Prague Print Triennial,
Prague, Czech Republic
Honorable Mention, III Bienal de Artes Visuales Nicaragüenses
2000 Honorable Mention, II Bienal de Pintura del Istmo Centroamericano, San José, Costa Rica
Honorable Mention, II Bienal de la Pintura Nicaragüense
Individual Artist Fellowship, Pennsylvania Council for the Arts, Category: Photography
1997 Residency Fellowship, Jack Straw Studios (Audio production)
1995 Carpenter Grant Recipient, Southern Oregon State College
1994 Professional Development Grant Recipient, Southern Oregon State College
1993 Individual Artist Fellowship, Oregon Arts Commission
1992 Research Fellowship & Residency, The Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh, PA
New Forms Regional Grant Program Fellowship, The Painted Bride, Philadelphia, PA
Project Fellowship (via WDUQ), Pennsylvania Council for the Arts
artist residencies / seminars
2016 Red Gate, Beijing, China
Itinerant Summer Seminar, Beta-Local, Western Coast of Puerto Rico
2015 Ox-Bow, Saugatuck, MI
Crossover: Bellingham, Western Washington University, Bellingham, WA
2012 Kansas City Artist Coalition Residency, Kansas City, MO
2006 Artist in Residence International Program (ARIP), Proyecto’ACE, Buenos Aires, Argentina
2005 Creative Heights Residency, Heinz Endowment for project at Artist Image Resource, Pittsburgh, PA
villalobos echeverría cv p. 7
2004 MacDowell Colony, Peterborough, NH
Vermont Studio Center, Johnson, VT
Print Residency, University of Iowa, Iowa City, IA
1992 Research Fellowship & Residency, The Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh, PA
conferences & symposia
2018 Panelist, Hybrid Cultures, Intersecting Landscapes, SGC International Conference, Las Vegas, NV
2017 Panelist, Beyond Printmaking Symposium, Lubbock, TX
2015 Panelist, Traversing Territories, Transborder Art, New York, NY
Chair, Dialogues: Modes of Exchange and Collaborative Practices Panel, Sphere SGC International Conference,
University of Tennessee, Knoxville, TN
Panelist, Career Symposium: Drawing, Painting & Printmaking Panel, Kendall College of Art, Grand Rapids, MI
2013 Mimetic Sites of Resistance, New Challenges in Printmedia Panel, IMPACT8 Conference, Dundee, Scotland.
chair, Michael Schneider
Nodal Sites, Voices of Silence Panel, Print MKE, 2013, SGC International Conference, Milwaukee, WI. chair, Alicia
Candiani
Panelist, CAA Committee on Women in the Arts, Gender Politics in the Workplace: Part I, CAA 2013 Conference,
chair, Claudia Sbrissa
2008 Lecturer, New Dresses, Old Questions: The symbiosis with technology and its new metaphors Panel, Command
Print 2008 Southern Graphics Council Conference, Richmond, VA, chair: Alicia Candiani
2007 Altering Substrates, The Practice of the Print Panel, 95th College Art Association Conference, New York, NY,
chair: Anita Jung
2006 Panelist, Entre Muros / Between Walls, Guanajuato, Mexico, moderator: Reynaldo Thompson
2005 Jurying Panelist, Ohio Arts Council – Photography, Columbus, OH
2004 Moderator, Articulaciones, Coloquio y Exhibición de Arte Contemporánea de la región Centroamericana,
Managua, Nicaragua.
2003 El Posthumanismo y la Transculturización, Coloquio Internacional de Arte Digital, Centro Cultural Pablo de la
Torriente Brau, Havana, Cuba, moderator: Victor Casaus
Lecturer, Cacophony and The Matrices of Political Sublimation Panel, 91st CAA Conference, New York, NY, panel
chair: Barbara Madsen
2002 Transcultural Reflections, The Relevance of Corporeality in the Domain of Electronic Art and New Media Panel,
90th CAA, Philadelphia, PA, panel chair: Barbara L. Miller
2000 Panelist, University of Akron, Akron, OH, chair: Robert Raczka
Lecturer, Temas Centrales Central Themes, I Central American Conference, Teor/éTica, San José, Costa Rica
1997 Lecturer, Politics, Art and Women’s Lives, National Women’s Studies Association, 18th Annual Conference, St
Louis, MO
Estrangements/Alliances, Crossing Borders: Identity and Exilic Regeneration Panel, CAA Conference, New York,
NY
Lecturer, Agnes Scott College, Decatur, GA
1996 Panelist, Ex/Inclusivity Among Sexualitites Panel,Brew House Space 101, Pittsburgh, PA, moderator: David
Deitcher
villalobos echeverría cv p. 8
Lecturer, Remote Sensing, 24th Southern Graphics Council Conference, West Virginia University, Morgantown,
WV
1995 Lecturer, SSHE Art Faculty Conference, Indiana University of Pennsylvania, Indiana, PA
Guadalicue: Hybrid Transfiguration, Guadalupana Imagery: Her Presence in Her Absence Panel, CAA, San
Antonio, TX
curatorial & adjudications
2017 Juror & Curator, Beyond Printmaking 5, Texas Tech University, Lubbock, TX
2005 Jurying Panelist, Ohio Arts Council – Photography, Columbus, OH
1997 Curator, Allographies, University Museum and Kipp Gallery, Indiana University of Pennsylvania, Indiana, PA
visiting artist lectures & workshops
2016 Visiting Artist Lecture, The Bookworm, Sanlitun, Beijing, China
2015 Visiting Artist Lecture on trans_porta sivar at MediaNoche Gallery and Media Space, New York, NY
2012 Visiting Artist, University of Notre Dame, Notre Dame, IN
2010 Digital Portfolios, Workshop, Universidad Americana, Managua, Nicaragua
2009 Lecturer, Distillery Residency Program (3rd Season), The Brew House, Pittsburgh, PA
Visiting Artist, Lafayette College, Easton, PA
2008 Visiting Artist, EspIRA Artist Residency, León, Nicaragua
Visiting Artist, University of Wisconsin at Madison, Madison, WI
Visiting Artist, University of Texas at Arlington, Arlington, TX
Lecturer, Distillery Residency Program (2nd Season), The Brew House, Pittsburgh, PA
2007 Visiting Artist, Edinboro University of Pennsylvania, Edinboro, PA
2003 Lecturer, Iowa State University, Iowa City, IA
2002 Lecturer, Syracuse University, Syracuse, NY
Visiting Artist, University of Buffalo, Buffalo, NY
2000 Visiting Critic, Cornell University, Ithaca, NY
2001 Lecturer, The Andy Warhol Museum of Art, Pittsburgh, PA
1999 Visiting Artist, Carnegie Mellon University, Pittsburgh, PA
Visiting Artist, Cranbrook Academy of Art, Bloomfield Hills, MI
1998 Lecturer, Teatro Justo Rufino Garay, Managua, Nicaragua
Workshop, Casa de los Tres Mundos, Granada, Nicaragua
Lecturer, Artefacto, Managua, Nicaragua
Lecturer, University of Delaware, Dover, DE
Lecturer, Clarion University of PA, Clarion, PA
1995 Lecturer, Edinboro University of Pennsylvania, Edinboro, PA
1994 Lecture & Xerography Workshop, Studio Arts Centre International, Florence, Italy
Xerography Workshop, Santa Reparata Graphic Art Center, Florence, Italy
1992 Dislocation, Lecture, University of Tulsa, Tulsa, OK
villalobos echeverría cv p. 9
books
Retrace. Kalamazoo: Western Michigan University, Kalamazoo, 2017. Catalog.
Candiani, Alicia."Obras: Selección de Artistas, Gráfica Contemporánea de Campo Extendido." ánodo-cátodo: Electrólisis y
la Galvanografía, la Memoria Química Esculpida por Electrones. Ed. Ana Soler and Kako Castro. Pontevedra: DX5,
2013. 318-19.
Calvo, Ernesto. “Video art in Central America? eppur se mueve,” Video en latinoamerica: una historia crítica. Madrid:
Brumaria, 2008. pp. 92-105
Moarquech Ferrera-Balanquet, Raúl. “Transnational Latin video art in USA – Canada: 1960-2007,” Video en latinoamerica:
una historia crítica. Madrid: Brumaria, 2008. pp. 151-158.
Noyce, Richard. Printmaking at the Edge. Basingstoke: Macmillan Distribution Ltd., 2006.
Patricia Villalobos Echeverría. Pittsburgh: Artists Image Resource, Pittsburgh. Organized in Association with West Virginia
University, Morgantown, 2006.
Luna Briñardeli, Juan Carlos. Fotografía latinoamericana 1991-2002. Barcelona: Lunwerg, 2003.
Torres, María Dolores G. Del Arte Occidental al Arte Nicaragüense. Managua: Fundacion Ortiz-Gurdián, 2003. pp. 160,
240.
Pérez-Ratton, Virginia. Temas Centrales: Primer Simposio Centroamericano de Prácticas Artísticas y Posibilidades
Curatoriales Contemporáneas. San José: TEOR/éTica, 2001.
Hartup, Cheryl. "Raiz, Rama Y Flor: Artists of Latin-American Descent in Oregon," Nosotros: The Hispanic People of
Oregon. Portland: Oregon Council for the Humanities, 1995. pp. 104, 107-108.
reviews & publications
FILOTEOS 4. Dir. Ricardo Huezo. Perf. Patricia Villalobos Echeverría, Ernesto Calvo, Luisa Fuentes Guaza Y Marivi Véliz.
FILOTEOS 4: Análisis De Arte Contemporáneo Nicaragüense. EspIRA La Espora, 5 Jan. 2017. Web. 5 Feb. 2017.
Agüero, Arnulfo. "Patricia Villalobos Y Sus Instalaciones Familiares." La Prensa [Managua] 03 Feb. 2017, CULTURA sec.:
1-2.
"Red Gate Residency: 15 Years, 9 Studios, 800 Residents." 314 Art World Dec. 2016: 28-35.
Cassel, Graciela, prod. "Traversing Territories." Transborder Art. BRIC TV. Brooklyn, New York, 31 July 2015. Television.
McQueen, Kathleen. "Utopias and Realities." Shifting Connections. Shifting Connections, 01 Oct. 2014. Web. 04 Oct.
2014. http://shiftingconnections.com/2014/10/01/utopias-and-realities/.
Olson, Kristina. "Subaltern Identities: A Conversation with Patricia Villalobos Echeverría." ARTPULSE Magazine 5.18
(2014): 44-47.
Garzón-Diaz, Valia. "Patricia Belli and Patricia Villalobos." Rev. of Uncertainty Principle and Swarm Exhibitions. ArtNexus
12.90 (2013): 118-19.
Moneo, Myriam B. "Mismo Nombre, Idéntico Arrebato." Vida Y Exito. N.p., 9 Apr. 2013. Web. 21 Sept. 2013. <http://
www.vidayexito.net/?p=3812>.
Matos, Dennys. "Patricia Villalobos Y Patricia Belli, Instalaciones Y Formas." Rev. of Exhibition. El Nuevo Herald [Miami] 25
May 2013, Especial sec.: n. pag. Patricia Villalobos Y Patricia Belli, Instalaciones Y Formas. El Nuevo Herald, 25 May
2013. Web. 12 July 2013. <http://www.elnuevoherald.com/2013/05/25/1482766/patricia-villalobos-y-patricia.html>.
Herrera, Adriana. "Arte Al Día / International / Contents / News / Patricia Villalobos at the CAVC/MUA, Tegucigalpa,
Honduras." Arte Al Día / International / Contents / News / Patricia Villalobos at the CAVC/MUA, Tegucigalpa,
Honduras. N.p., 12 May 2014. Web. 12 May 2014. <http://www.artealdia.com/International/Contents/News/
Patricia_Villalobos_at_the_CAVC_MUA_Tegucigalpa_Honduras>.
villalobos echeverría cv p. 10
Astiasarán, Clara. Fallas de Origen: Notas a Propósito de Cystema@23°8’27.054”N 82°21’10.117”W." Patricia Villalobos
Echeverría, XI Bienal de La Habana. Kalamazoo, 2013. (Bilingual, translators: Katy Scrogin and Zoya Kocur)
Sevilla Bolaños, Letzira. "Patricia Villalobos: Cystema@23°8’27.054"N 82°21’10.117"W." El Nuevo Diario [Managua] 9
June 2012, El Nuevo Amanecer Cultural sec. El Nuevo Diario. 09 June 2012. Web. 20 Aug. 2012. <http://
www.elnuevodiario.com.ni/suplemento/nuevoamanecer/2134_patricia-villalobos:-
cystema@23°8’27.054”n-82°21’10.117”w>.
Gómez De Mello, Gorge. "Patricia Villalobos, Entre Lo Juguetón Y Lo Ofensivo." Arte Contemporáneo Del Caribe Y Las
Américas. Arte Por Excelencias, 10 May 2012. Web. 25 May 2012. <http://arteporexcelencias.com/es/noticias/
2012-05-10/patricia-villalobos-entre-lo-jugueton-y-lo-ofensivo.html>.
Michels, Laura. "UICA Unveils Works by Artists Responding to Venue’s ’unique Architecture’." The Grand Rapids Press,
<http://www.mlive.com/entertainment/grand-rapids/index.ssf/2011/12/uica_unveils_works_by_artists.html>, 10 Dec.
2011.
Santos, Juan José. "Patricia Villalobos: Mesoparasitio." ARTPULSE: International Contemporary Art Fall No. 9 (2011): 81.
Chammah, Maurice. “Grand Statements on Politics and Social Networks at Darb”. Retrieved November 5, 2011, from
Daily News Egypt: http://thedailynewsegypt.com/art/grand-statements-on-politics-and-social-networks-at-darb.html#,
October 11, 2011.
Nóchez, M. L. (2011, July 22). “Exposición Mesoparasitio” - ElFaro.net. Retrieved August 02, 2011, from ElFaro.net: http://
www.elfaro.net/es/201107/guiacultural/4864/, July 22, 2011.
González, Óscar. “Un ‘mesoparasitio’ invade el MARTE.” La Prensa Gráfica, http://www.laprensagrafica.com/fama/cultura/
206312--un-mesoparasitio-invade-el-marte.html, July 20, 2011.
Mendoza, G. “La dualidad se apropia del espacio”. El Diario de Hoy, July 19, 2011 , p. 54.
Olmedo, D. “Mesoparasitio sugiere un continuo estado de transición y refleja nuestra condición contemporánea”.
Fundación Clic: Arte y Nuevas Tecnología, http://clic.org.sv/?p=16310, July 19, 2011.
Thomas, Mary. “Pittsburgh’s Center for the Arts exhibits invite public to touch, think”, Pittsburgh Post-Gazette.com.
www.post-gazette.com/pg/10265/1089250-437.stm, September 22, 2010.
Peñalba, Rodrigo. "Patricia Villalobos Echeverría Participa En La I Trienal Internacional Del Caribe En Santo Domingo." Web
log post. ~ Analog ~. Rodrigo Peñalba, 30 Aug. 2010. Web. 14 Oct. 2011. <www.marcaacme.com>.
Kuntz, Melissa. “The Mattress Factory’s latest Gestures show is by turns sobering and touching”, Pittsburgh City Paper.
http://www.pittsburghcitypaper.ws/gyrobase/Content?oid=oid%3A71788, November 19, 2009.
Agüero, Arnulfo. “Escenarios de la VII Bienal de Artes Visuales”, La Prensa.com.ni. http://www.laprensa.com.ni/
2009/11/14/suplemento/la-prensa-literaria/200, November 14, 2009.
Gonzales, Marta Leonor, ed. “Seis obras nicas a la Bienal de Artes de Panamá”, 400 Elefantes. http://
educacion.vivenicaragua.com/400elefantes/2009/11/13/seis-obras-nicas-a-la-bienal-de-artes-de-panama.html,
November 13, 2009.
Shaw, Kurt. “Artists air their personal struggles in Mattress Factory’s latest ‘Gestures’ exhibit”, Pittsburgh Tribune Review.
http://www.pitsburghlive.com/x/pittsburghtrib/ae/museums/s_635860.html, July 29, 2009.
Villalobos, Patricia. Richard Noyce ed. “Convergencia (Convergence)” Grapheion. Memory of the Future, 2008
Yearbook Vol. 21, Prague, Czech Republic, 2009
Törner, Marianne. "Bort från traditionens mittfåra (Off the tradition...)", Dalarnas Tidningar, http://
www.dalarnastidningar.se/nyheter/falun/article224201.ece, September 15, 2007.
Lundén, Ulf. "Falun exploderar I grafik (Falun exploding in Graphic)," Dala-Demokraten, http://www.dalademokraten.se/
Opinion--Kultur/Kultur/2007/08/25/Falun--exploderar--i-grafik/, August 25, 2007.
Shaw, Kurt. "Into the Deep," Pittsburgh Tribune-Review.com, http://www.pittsburghlive.com/x/pittsburghtrib/
s_470300.html, September 14, 2006.
Olson, Kristina. “PITTSBURGH,”Art Papers, Vol. 29:5, September/October 2005.
villalobos echeverría cv p. 11
Shaw, Kurt. “Annual Exhibition raises the bar,” Pittsburgh Tribune Review, http://www.pittsburghlive.com/x/pittsburghtrib/
news/s_344884.html, June 19, 2005
Thomas, Mary. "Annual Exhibition continues to establish itself as festival tradition," Pittsburgh Post-Gazette.com, http://
www.post-gazette.com/pg/05159/517297.stm, June 8, 2005.
Noble, Alastair & Kathy Bruce. "Patricia Villalobos on the Third Ibero-American Biennial," Sculpture, No. 7, Vol. 22, pp.
22-23, September 2003.
Calirman, Claudia. "De lo que soy / Of what I Am," Art Nexus, No. 49, Vol. 2, pp. 151-153, Jun-Aug 2003.
Cotter, Holland. "De lo que soy/Of What I Am" and "Taino Treasures," Art in Review, Leisure/Weekend Desk, Friday, April
25, 2003.
Vega, Maria. "En el espejo del recuerdo," El Diario La Prensa, Edición Tri-estatal NY, NJ, CT, Sunday, April 20, 2003.
Zimmer, William. "Through Her Eyes Only," The New York Times, WE: Arts and Entertainment, Sunday, April 13, 2003.
Roth, David M. "’Postflesh’ at the University Library Gallery, CSU Sacramento" Artweek, April 2003.
Pagliasso, GianCarlo. "Sacramento-California-Postflesh: Visualizing the Techno-Self," Iride, Feburary 2003.
Dalkey, Victoria. "Merging with Machines," The Sacramento Bee, Sunday, February 23, 2003.
Torres, María Dolores G. "III Bienal del Istmo" Art Nexus, No. 47, Vol. 1, pp. 84-88, Jan-Mar 2003.
Rodriguez, Bill. "Beauty and chaos: the RISD Museum’s Crisis Response," Arts – the Providence Phoenix, January 3, 2003.
Torres, María Dolores G. "III Bienal de Artes Visuales del Istmo Centroamericano: Reflexiones sobre el Arte y Su Tiempo,"
Nuevo Amanecer Cultural [Managua] Saturday, October 5, 2002.
Torres, María Dolores G. "Transculturación y Pluridad en el Arte de Patricia Villalobos." Nuevo Amanecer Cultural
[Managua] March 9, 2002, p. 1. Print.
Rosales, Auxiliadora. "Bienal rompió con lo tradicional," La Prensa [Managua] August 4, 2001:12B.
Morales Alonso, Luis. "Antología de mujer en las artes visuales," La Prensa Literaria [Managua] May 26, 2001, p 7.
Díaz Bringas, Tamara. "Aguijoneando," La Nación [San José] May 21, 2001, p. 12.
Concepción, Clara Elena. "No Hay Peor Ciego...," La Nación April 15, 2001: Arte.
Montero, Maria. "Todos contra la pared," La Nación [San José] April 5, 2001, p. 27.
Schumacher, Camila. "Arte de Impacto," La Nación [San José] April 2, 2001, p. 8.
González, Ariel Chaves. "Reapertura con secreciones," La Prensa Libre [San José] March 26, 2001: Revista Abanico.
Thomas, Mary. "’Systems’ explores new territory at Brew House," Pittsburgh Post-Gazette December 5, 2000.
Thomas, Mary. "African rituals, Caribbean spirit, enliven CMU exhibit," Pittsburgh Post-Gazette October 21, 2000.
Sanchez, Milagros. "Arte femenino contemporáneo y crítico," La Prensa [Managua] Saturday, June 3, 2000:9B.
_____. "Nicaragua Logra Mención en Bienal C.A.," La Prensa [Managua] Wednesday, September 27, 2000: 4C.
_____. "Pintura - II Bienal," La Prensa Literaria [Managua] September 30, 2000, p. 5.
Madden, Dave. "The Art Form Still Known as Prints," In Pittsburgh Newsweekly Sept 1 - Sept. 8, 1999.
Goldman, Shifra. "Mirror - mirror on the wall..." ArtNexus, No. 32, April-June, p.72, 5p., 1999.
Pulin, Carol. "Exhibitions, Catalogues & Books," Contemporary Impressions, vol. 6, No. 2, p.26, Fall 1998.
Sobalvarro, Juan. "Patricia Villalobos por una Identidad Abierta," La Tribuna Friday, June 5, 1998.
Sobalvarro, Juan. "Transculturación: Un Conversatorio con Patricia Villalobos," La Tribuna Friday, May 29, 1998:7C.
Shearing, Graham. "Dynamism already evident at Foreland Street," Pittsburgh Tribune-Review, Sunday, January 4, 1998.
Thomas, Mary. "Foreland Street Exhibition," Pittsburgh Post-Gazette, Saturday, December 20, 1997.
Krainak, Paul. "Appalachian High Resisting Misrepresentation," New Art Examiner, vol. 25, No. 2, p.30-35. October 1997.
Pérez-Ratton, Virginia. "Las Razones de Mesótica II," Artefacto, vol.14, p. 2-6. August 1997.
villalobos echeverría cv p. 12
Romero, Margie. "Sense-Delighting." In Pittsburgh Newsweekly June 26-July 2, 1997:23.
Báez, Julio León. "Exposición de pinturas en el CCM." La Prensa Wed. June 4, 1997:3C.
Navalmoral, Rubén M. "La re-generación artística de Centroamérica," Ya Tuesday, June 3, 1997.
Reyes, J.A. Alvarez. "El Arte Centroamericano Salta a la Arena Internacional desde Madrid" El Mundo Tuesday, June 3,
1997.
Pérez Leon, Dermis. "Mesótica II: re-generación necesaria," ArtNexus, No. 24, April-Junio 1997.
Cullum, Jerry. "Emigré life takes multiple forms." The Journal-Constitution March, 1997.
Shearing, Graham. "Diverse, Unified look at sexual minorities," Pittsburgh Tribune-Review, Friday, Sept. 6, 1996.
Kachmar, J. Scott. "Diverse and Unified at Space 101," Artwords, vol. 1, No. 2, p. 4, September 1996.
Slaven, Michael. "Out of Print," Afterimage, March/April 1996. Print.
Anderson, Isabel. "LA Printmaking Society’s National Biennial at Loyola Marymount," Artweek vol. 26, no. 7, July 1995.
gallery representation
Sol del Rio, Guatemala City, Guatemala
The Americas Collection, Miami, FL
public collections
Anchor Graphics, Columbia College, Chicago, IL
Artist Image Resource, Permanent Collection, Pittsburgh, PA
Bibliotheca Alexandrina, Alexandria, Egypt
Egress Press, Edinboro University of Pennsylvania, Edinboro, PA
Erie Art Museum, Erie, PA
Fundación Gurdián-Ortiz, León, Nicaragua
Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
Northwest Museum of Arts and Culture, Spokane, WA
Southern Graphics Council International, Permanent Collection
Teatro Nacional Rubén Darío, Managua, Nicaragua
The University of Iowa, Permanent Print Collection, Iowa City, IA
University of Wisconsin - Madison, Madison, WI
University of Wisconsin - Milwaukee, Milwaukee, WI
US Embassy of Nicaragua, Permanent Collection, Managua, Nicaragua
Western Michigan University, University Art Collection, Kalamazoo, MI
West Virginia University, Permanent Collection, Morgantown, WV